Hold

Hold may refer to:

Grappling hold

A grappling hold (commonly referred to simply as a hold; in Japanese referred to as katame-waza, 固め技, "grappling technique") is a specific grappling, wrestling, judo or other martial arts grip that is applied to an opponent. Holds are principally used to control the opponent, and to advance in points or positioning. Holds may be categorized by their function such as clinching, pinning or submission, while others can be classified by their anatomical effect: chokehold, joint-lock or compression lock.

Clinch hold

A clinch hold (also known as a clinching hold) is a grappling hold which is used in clinch fighting with the purpose of controlling the opponent. In wrestling it is referred to as the tie-up. The use of a clinch hold results in the clinch. Clinch holds can be used to close in on the opponent, as a precursor to a takedown or throw, or to prevent the opponent from moving away or striking effectively. Typical clinch holds include:

Fermata

A fermata [ferˈmaːta] (also known as a hold, pause, colloquially a birdseye or cyclops eye, or as a grand pause when placed on a note or a rest) is a symbol of musical notation indicating that the note should be prolonged beyond its normal duration or note value would indicate. Exactly how much longer it is held is up to the discretion of the performer or conductor, but twice as long is not unusual. It is usually printed above, but occasionally below (upside down), the note that is to be held longer.

When a fermata is placed over a bar or double-bar, it is used to indicate the end of a phrase or section of a work. In a concerto, it indicates the point where the soloist is to play a cadenza.

A fermata can occur at the end of a piece (or movement), or it can occur in the middle of a piece, and be followed by either a brief rest or more notes.

Other names for a fermata are corona (Italian), point d'orgue (French), Fermate (German), and calderón (Spanish).

History and use

This symbol appears as early as the 15th century, and is quite common in the works of Dufay and Josquin.

Mine (film)

Mine is a 1985 Turkish drama film directed by Atıf Yılmaz. It was entered into the 14th Moscow International Film Festival.

Cast

References

External links

Mine (Taproot song)

"Mine" is the second and final single from Taproot's second studio album Welcome. Along with "Poem", the song is one of the band's most successful singles. A music video was released for the song and was directed by System of a Down bassist Shavo Odadjian.

Track listing

Charts

Personnel

References

Mining

Mining is the extraction of valuable minerals or other geological materials from the earth from an orebody, lode, vein, seam, reef or placer deposits which forms the mineralized package of economic interest to the miner.

Ores recovered by mining include metals, coal, oil shale, gemstones, limestone, dimension stone, rock salt, potash, gravel, and clay. Mining is required to obtain any material that cannot be grown through agricultural processes, or created artificially in a laboratory or factory. Mining in a wider sense includes extraction of any non-renewable resource such as petroleum, natural gas, or even water.

Mining of stones and metal has been a human activity since pre-historic times. Modern mining processes involve prospecting for ore bodies, analysis of the profit potential of a proposed mine, extraction of the desired materials, and final reclamation of the land after the mine is closed.

Mining operations usually create a negative environmental impact, both during the mining activity and after the mine has closed. Hence, most of the world's nations have passed regulations to decrease the impact. Worker safety has long been a concern as well, and modern practices have significantly improved safety in mines.